The word made flesh
You can see why the Belgian choreographer Sidi Larbi Cherkaoui was attracted to the idea of "apocrypha" - non-canonical religious texts that are considered peripheral to the main body of authorised scripture. Part Flemish, part Moroccan, Cherkaoui began as a backing dancer on a pop music programme, and did vogueing, hip-hop and jazz dance before studying contemporary dance. Now 35, he's become one of the foremost as well as most idiosyncratic choreographers in the field, also with a number of commissions from ballet companies to his name.
In the mainstream but not of it, a figure of doubtful, hybrid origins - Cherkaoui is himself in a rather apocryphal position.
The 2007 work Apocrifu , seen this year at the Brighton Festival, is one several pieces in which Cherkaoui circles the subject of religion. Here, he's interested in scripture - the word, and the word made flesh. In one telling scene, Cherkaoui relates how the story of Cain and Abel appears in different forms in the Koran, the Bible and the Talmud - in effect, how the story has a history, of borrowings, additions and rewritings.
Cherkaoui deftly gives his tale a choreographic form: he and his two dancers Dimitri Jourde and Yasuyuki Shuto clump into a kind of composite creature (a favourite Cherkaoui device) that playfully passes three books around its six arms, its triple heads sneaking peeks at pages over its various shoulders. The delight at seeing such a felicitously realised physical metaphor freezes when the scene is recapitulated later, with swords instead of books; at its conclusion the trinity splits apart, the dancers step towards a row of three books on the ground, and each stabs his blade into a book. The sword, it seems, is mightier than the pen.
Entwined brotherhood, violent separation, the powerplay between text and body - these images run like undercurrents through Apocrifu . Cherkaoui and Jourde tangle together in a fluctuating duet in which they keep their heads together - sometimes leaning towards each other for support or balance, sometimes straining against each other, like rams, but ending with gently subversive finish: a kiss. In another scene, Jourde is stripped to the waist and Shuto daubs Japanese characters over his skin, so that Jourde's very self seems to be circumscribed by text. Yet his body writes back: as Jourde flounders on the floor, his skin leaves behind a smeared, inky imprint of his struggle. Elsewhere, text itself becomes support (books used as stepping stones to navigate the stage), impediment (dancers stumbling blindly, pages pressed across their eyes) or weapon: Cherkaoui literally throws the book at Jourde.
Origin Of Jazz Dancing - News
Part Flemish, part Moroccan, Cherkaoui began as a backing dancer on a pop music programme, and did vogueing, hip-hop and jazz dance before studying contemporary dance. Now 35, he's become one of the foremost as well as most idiosyncratic choreographers
Ted Gioia's erudite history of jazz opens with an elderly drummer playing at a slave dance in 19th-century New Orleans' Congo Square and closes with a portrait of a restless global music that is happy to call any address its home.
BEIRUT: Like most of our best holidays, solstice has a pagan origin. People have had different ways of marking the shortest night of the year, which is usually marked on June 21 (occasionally June 24). Some places they cherished mid-summer plants for
From its Galveston, Texas origin in 1865, the observance of June 19th as the African American Emancipation Day has spread across the United States. On June 19th 1865, two and a half years after President Lincoln's Emancipation Proclamation (January 1,
In the process it was no longer fashionable to be seen dancing to tsava-tsava or any other traditional Zimbabwean beats. Thus we lost our music and its name. Whatever we call Zimbabwean music now has been borrowed from somewhere.
Kids' Classes Summer 2011: « Welcome to CoffeeMill Dance Studio
Summer Dance and Yoga Classes for Kids at the CoffeeMill !
Register NOW for Open Summer Classes in Classical Ballet, Jazz, HipHop, African, Yoga, “Mommy and Me” Yoga, and Creative Movement.
Classes run 6 weeks from June 13 – July 22.
For girls AND boys of all ages (toddlers through teens) and all skill levels.
Classes are $12 each. Drop-ins available for flexible summer plans.
Call 305-296-9982 or email Penny now to pre-register & hold your child’s spot in the class!
SUMMER SCHEDULE:
Creative Movement with Cricket Desmarais A fun and imaginative combination of simple ballet and jazz steps to encourage rhythm, flexibility and increase dance vocabulary. This class is designed to inspire young dancers to express themselves through movement. Emphasis is on learning fundamental positions and steps of ballet and jazz. Children are exposed to the beauty and discipline of both dance styles. 55 minutes. Join us for a Six Week Intensive dedicated to JAZZ! The History of Jazz Dance with Kyla Piscopink starts June 13th for 3 consecutive weeks. Each day we will explore and dance through the ever-evolving forms of Jazz Dance, while learning about the origins of this beautiful and joyous technique! The contents of this class will be greatly based on Gus Giordano’s Book: Anthology of American Jazz Dance. Denis Hyland takes over for 3 weeks in July, teaching elements from all styles of Jazz including Broadway, Fosse and Contemporary. It is encouraged to participate in both morning classes. 85 minutes. For ABSOLUTE beginners and designed to expose the student to the grace, beauty, and discipline of classical dance. Emphasis is on the basic positions of the feet and arms as they relate to proper body alignment. Ballet training gives a dancer the strength and control to execute any style of dance well! It is encouraged to participate in all 6 weeks. 85 minutes. This class is a safe and fun introduction to yoga, which promotes flexibility, improves strength, coordination and concentration. Children will learn how to focus and center themselves with breathing and visualization techniques. Stories, songs and games help illustrate poses and pave the path for self-respect and respect for others. 55 minutes. A fun, high energy dance class using traditional Afro Caribbean movements and moving to authentic drum rhythms. From the earliest history of African dance, it is known that dance played a very important role in the lives of the tribal people. As a part of the daily activities, dancing was a way to pass time and to enjoy and affirm life. Young dancers will learn about other cultures through this exciting and expolsive dance form.
Origin Of Jazz Dancing - Bookshelf
Learning about dance, dance as an art form and entertainment
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